在城市文化景观里，单单把雕塑作品作为独立主体的雕塑来考虑是不够的，必须把它放到城市中的更大区域中来考虑，尽量把它与城市的自然景观、园林景观、建筑景观及文化景观作科学的统筹规划，这就要求我们设计者应该具有系统的观点。为此，建造城市铜雕，必须注意它周围的环境，包括人、时间、建筑等多方面的因素的影响和制约。一个雕塑环境就是一个系统，而且它被包含在更大的系统----文化景观之中。（铜大缸厂家）

In the urban cultural landscape, it is not enough to consider sculpture as an independent subject. We must consider it in a larger area of the city and make a scientific overall planning with the natural landscape, garden landscape, architectural landscape and cultural landscape of the city as far as possible. This requires that our designers should Have a systematic view. To this end, the construction of City Bronze sculpture, we must pay attention to its surrounding environment, including the impact and constraints of human, time, architecture and other factors. A sculpture environment is a system, and it is contained in a larger system, the cultural landscape.

城市铜雕是公共艺术中的一个内容，但城市铜雕不仅是一个景观物，随着人们对于环境要求的日益提升，城市铜雕在与环境关系的公共性方面的要求也会越来越高，但是同样，现代社会随着人们对于精神与文化归属感需求的不断提高，城市铜雕在文化方面的公共性要求也在日益提高。城市铜雕矗立在高楼林立，道路纵横的城市中。给拥挤呆板的街道带来了一丝灵动，缓解了城市的浮躁之气，让这城市的喧嚣归于平静，增加的人文之气使物欲横流的城市显得不那么世俗。

Urban bronze sculpture is a part of public art, but urban bronze sculpture is not only a landscape object. With the increasing requirements for the environment, urban bronze sculpture will have higher and higher requirements for the publicity of environmental relations. But similarly, in modern society, with people's demand for spiritual and cultural belonging, there is no need for it. With the continuous improvement of the city bronze sculpture in the cultural aspects of public requirements are also increasing. City bronze sculptures stand in high-rise cities with vertical and horizontal roads. It brings a touch of agility to the crowded and stiff streets, alleviates the impetuosity of the city, makes the noise of the city quiet, and increases the humanistic spirit, which makes the city with material desires less secular.